Rocky IV is dually symbolic - it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.

Paris, 1920s. Marguerite Dumont is a wealthy woman, lover of the music and the opera. She loves to sing for her friends, although she's not a good singer. Both her friends and her husband have kept her fantasy. The problem begins when she decides to perform in front of a real audience. Written by Andres Garza